Includes bibliographical references (pages 199-205) and index.
Summary:
In 3D Warhol, Thomas Morgan Evans argues that Warhol's engagement with sculpture, and traditional notions of sculpture, produced 'trespasses'; his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social, sites of investiture (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol's oeuvre, providing an essential new perspective on the artist's legacy.--Amazon.com
Series:
International library of modern and contemporary art
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.