Introduction : Wilkie Collins, theorist of iterability -- The manuscript as writer's estate in Basil -- The woman in white : the perils of attempting to discipline the transatlantic, transhistorical narrative -- Over-doing things with words in 1862 : pretense and plain truth in No name -- Ingesting the other in Armadale -- The return of the author : privacy, publication, the mystery novel, and The moonstone -- Conclusion : real absences : Collins's waiting shadows.
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