Film music: reflections on functions. Music's body and the moving image / Lawrence Kramer -- Disturbing Silences and Open Narratives: Musical Gaps in Fictional and Documentary Moving Images/ Saskia Jaszoltowski -- Traditional and Non-traditional Uses of Film Music, and Musical Metalepsis in The Truman Show / Werner Wolf -- Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future challenge to the Diegetic/Non-diegetic model / Jordan Carmalt Stokes -- Film Music: Significant Intermedial Cases. Operatic Plurimediality in Italian Silent Cinema: Nino Oxilia and Pietro Mascagni's Rapsodia satanica (1915) / Bernhard Kuhn -- Humanized Documentary, "Light" Verse, and Music Made to Fit: g.p.o. film Unit/Auden/Britten's Night Mail (1936) / Walter Bernhart -- An Incarnation of Memory: Song as Absence in Claude Lanzmann's Shoah / Ruth Jacobs -- Accumulating Schubert: Music and Narrative in Nuri Bilge Ceylan's Winter Sleep / Heidi Hart -- Mise en scene, Mozart, and a Borrowed Chorale: Learned Style and Identity in Pawlikowski's Ida / Christopher Booth -- Intermedial Varieties. Shadow Images Moving to Music: La tentation de Saint Antoine in Montmartre / Peter Dayan -- 'The Big Turnaround in the Middle': On the Silent Movie and the Film Music Interlude in Alban Berg's Opera Lulu / Marion Recknagel -- All the pieces matter: On complex TV music / Frieder von Ammon -- The Music Videos of Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media / Emily Petermann -- Remediations. Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten's Juan / Axel Englund -- Novel, Woodcuts, Film, Music: Pondering over the Title of Gara Garayev's Symphony Engravings "Don Quixote" / Alla Bayramova -- Film as Opera: Three Perspectives on Still Life and Brief Encounter / Michael Halliwell -- On the Intertextual Docks, or, Whatever Happened to Shanghai Lil? / David Francis Urrows.
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