Includes bibliographical references (pages 159-178) and index.
Contents:
"Everywhere our hearts are in danger" : Cupid's triumph and the decline of the indifferent mistress. A "mistress of her own affairs" : inhibiting the widow's (sexual) independence -- The price of independence : women seeking separations -- "Everywhere our hearts are in danger" : Cupid's triumph and the decline of the indifferent mistress.
Summary:
Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ridicule, banish, or, even more violently, silence and subjugate female characters who resist marriage. These dramas portray independent-minded women as agents of chaos who deploy their sexuality to destabilize class demarcations, or to destroy families and at times the monarchy itself. Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater shows how dramatists wrested narratives away from women and weaponized those narratives in a defense of the status quo. It examines a wide range of works of different types: from Jean-Philippe Rameau's Platée, ou Junon jalouse and André Campra's Aréthuse, ou la Vengeance de l'Amour to representative works from the Comédie Franaise, the Comédie Italienne, and the fairgound theaters. Each theater offered denigrating portraits of independent women as dissolute, obstinate, and extremist. The operas and other theatrical works explored in Coquettes, Wives, and Widows reveal who (in the view of many at the time) should exercise authority to make choices about women's lives. They also give evidence of widespread fears about how society might change if it were to grant women themselves that responsibility.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.