The American Pre-Raphaelites : radical realists / Linda S. Ferber and Nancy K. Anderson ; with Tim Barringer, Barbara Dayer Gallati, Sophie Lynford, Mark D. Mitchell, Janice Simon, Diane Waggoner.
Publisher:
National Gallery of Art ;
Copyright Date:
2019
Description:
xvii, 293 pages : illustrations (some color) ; 27 cm
Published on the occasion of an exhibition held at the National Gallery of Art, Washington, D.C., April 14-July 21, 2019. Includes bibliographical references and index. "The American Pre-Raphaelites: Radical Realists" : April 14-July 21, 2019, the National Gallery of Art, Washington, District of Columbia, United States.
Contents:
Who were the American Pre-Raphaelites / Linda S. Ferber -- A radical legacy: the British Pre-Raphaelites and global Pre-Raphaelitism / Tim Barringer -- Abolitionism and the American Pre-Raphaelite experiment / Sophie Lynford -- Thought on canvas: American Pre-Raphaelite iconography / Barbara Dayer-Gallati -- A knowing look: the American Pre-Raphaelite still life / Mark K. Mitchell -- "The Perfect Observance of Truth": photography and American Pre-Raphaelitism / Diane Waggoner -- The new path 1863-1865: "He Serves All, Who Dares to Be True" / Janice Simon -- Plates -- Checklist of the exhibition -- Association for the Advancement of Truth in Art: timeline (1863-1865).
Summary:
Bringing together insights from a distinguished group of scholars, The American Pre-Raphaelites: Radical Realists examines the history and legacy of this often-overlooked group of American artists who were profoundly influenced by John Ruskin (1819-1900), the most influential art critic of the Victorian era, and his call for a revolutionary change in the practice of art--to leave tradition behind, exit the studio, work outdoors, and reproduce nature's "truth" with exacting detail. Published in celebration of Ruskin's two-hundredth birthday, The American Pre-Raphaelites includes some eighty works by Thomas Charles Farrer, Fidelia Bridges, Charles Herbert Moore, Henry Roderick Newman, and William Trost Richards, among others. New research reveals that many of these artists sought reform not only in the practice of art, but also in the broader political arena--many were abolitionists, and Farrer himself had served in the Union army. They followed Ruskin's dictum to record the natural world with strict fidelity, but they also created works of stunning beauty that often include a rich political subtext.--Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.