All our Othello: black monsters and white masks on the American screen / Marguerite Hailey Rippy -- "How very like the home life of our own dear queen": Ian McKellen's Richard III / Lisa Hopkins -- (Un)doing the book "without Verona walls": a view from the receiving end of Baz Luhrmann's William Shakespeare's Romeo + Juliet / Alfredo Michel Modenessi -- Cutting up characters: the erotic politics of Trevor Nunn's Twelfth night / Laurie Osborne -- The marriage of Shakespeare and Hollywood: Kenneth Branagh's Much ado about nothing / Samuel Crowl -- Shakespeare in love: romancing the author, mastering the body / Courtney Lehmann -- "Art thou base, common, and popular?": The cultural politics of Kenneth Branagh's Hamlet / Douglas Lanier -- From the cinema to the classroom: Hollywood teaches Hamlet / Elizabeth A. Deitchman -- The film's the thing: using Shakespearean film in the classroom / Annalisa Castaldo -- Afterword: Te(e)n things I hate about Girlene Shakesploitation flicks in the late 1990's, or not-so-fast times at Shakespeare high / Richard Burt.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.