His films, their stories / Meenakshi Mukherjee -- Fiction to film : a brief history and a framework for film adaptations / Vijaya Singh -- Two masters one text : Satyajit Ray's transcreation of of 'Ghare Baire' / Somdatta Mandal -- Some aspects of inter-semiotic translation : a study of Satyajit Ray's interpretation of Tagore / Anuradha Ghosh -- Ray's narrative vision and synaesthetic appreciation of Tagore in 'Ghare Baire' / Jayita Sengupta -- Disobedient women/disobedient detours / Shohini Ghosh -- Space, interiority, and affect in 'Charulata' and 'Ghare Baire' / Supriya Chaudhuri -- Tagore's women protagonists through Ray's camera : re-presenting the shifting concepts of history, culture, and identity / Tutun Mukherjee -- 'Thak'/freeze-negotiating narrative positions in adaptation : the female in Tagore's 'The broken nest' and Ray's 'Charulata' / Asha Kuthari Chaudhuri -- From 'Noshto neerh' to 'Charulata' : Ray's creation of an audio-visual 'aura' for Tagore's fiction / Brinda Bose -- The enigma of 'departure' : a reinterpretation of Rabindranath Tagore's 'Noshto neerh' and Satyajit Ray's 'Charulata' / Vishnupriya Sengupta -- 'The chess players' : from Premchand to Satyajit Ray / Frances W. Pritchett -- Critiquing colonialism through cinematic frames : 'Shatranj Ke Khiladi' and 'Ghare Baire' / Jasbir Jain -- Decoding the moves of colonial chess : Premchand/Satyajit Ray's 'Shatranj Ke Khiladi' / Shreya Bhattacharji -- 'Shatranj Ke Khiladi' : the games and their repercussions / Tarini Pandey -- 'Sadgati' : Satyajit Ray's deliverance of Premchand's 'Sadgati' / Deepti Zutshi.
Summary:
Papers presented at a seminar on Fiction into film : Satyajit Ray's interpretation of Tagore and Premchand, held at Jamia Millia Islamia during 23-25 November 2006.
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