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Author:
Killen, Andreas, author.
Title:
Homo cinematicus : science, motion pictures, and the making of modern Germany / Andreas Killen.
Publisher:
University of Pennsylvania Press,
Copyright Date:
2017
Description:
268 pages : illustrations ; 24 cm.
Subject:
Motion pictures--History--Germany--History--20th century.
Motion pictures--Germany--History--History--20th century.
Cinematography--History--Germany--History--20th century.
Psychoanalysis and motion pictures--Germany--History--20th century.
Social sciences--Germany--History--20th century.
Social change--Germany--History--20th century.
Cinematography--Scientific applications.
Motion pictures--Psychological aspects.
Motion pictures--Social aspects.
Psychoanalysis and motion pictures.
Social change.
Social sciences.
Germany.
1900-1999
History.
Notes:
Includes bibliographical references (pages 205-260) and index.
Contents:
Introduction : human science and cinema in Germany after the Great War -- Cinema and the visual culture of the human sciences -- Film reform, mental hygiene, and the campaign against "trash," 1912-34 -- Hypnosis, cinema, and censorship in Germany, 1895-1933 -- What is an enlightenment film? : cinema and sexual hygiene in interwar Germany -- Scientific cinema between Enlightenment and superstition, 1918-41 -- Conclusion : science, cinema, and the malice of objects.
Summary:
In the early decades of the twentieth century, two intertwined changes began to shape the direction of German society. The baptism of the German film industry took place amid post-World War I conditions of political and social breakdown, and the cultural vacuum left by collapsing institutions was partially filled by moving images. At the same time, the emerging human sciences--psychiatry, neurology, sexology, eugenics, industrial psychology, and psychoanalysis--began to play an increasingly significant role in setting the terms for the way Germany analyzed itself and the problems it had inherited from its authoritarian past, the modernizing process, and war. Moreover, in advancing their professional and social goals, these sciences became heavily reliant on motion pictures. Situated at the intersection of film studies, the history of science and medicine, and the history of modern Germany, Killen connects the rise of cinema as a social institution to an inquiry into the history of knowledge production in the human sciences. Taking its title from a term coined in 1919 by commentator Wilhelm Stapel to identify a new social type that had been created by the emergence of cinema, Killen explores how a new class of experts in these new disciplines converged on the figure of the homo cinematicus and made him central to many of that era's major narratives and social policy initiatives.
Series:
Intellectual history of the modern age
ISBN:
0812249275
9780812249279
OCLC:
(OCoLC)960292616
LCCN:
2016053770
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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