Includes bibliographical references (p. [377]-388) and index.
Contents:
The exactitude of musical 'Impressionism' (Painting in sound ; Painting in musical structure (1) : Debussy's Preludes ; Painting in musical structure (2) : Ravel's Gaspard de la nuit ; Shapes and forms ; Reflets dans l'eau', Hokusai, Edgar Allan Poe and Leonardo of Pisa) -- Musical roots and antecedents (Chopin's legacy ; 'Musique adorable ': à la découverte d'Emmanuel Chabrier ; Debussy and the Orient ; The exotic via Russia and Spain ; The clavecinistes ; Romanticism) -- Fresh perspectives (Rhythmic games in Ravel ; Rhythmic games in Chabrier ; Repertoire discoveries) -- At the keyboard (What do we interpret? ; Editions and what they can't quite tell us ; Rhythm, tempo, dance and humour ; A fresh look at Gabriel Fauré ; Orchestral thinking and the pedals ; Body language and the piano ; The composer as pianist) -- Appendices ('Facilement, facilement' : finding technical ease ; Glosses on titles and musical allusions ; Composers' surviving instruments and recordings ; Brief summary of critical editions ; Locations of musical manuscripts discussed)
Summary:
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.