Images of the "reel: Shakespeare and the art of cinema / Lisa S. Starks and Courtney Lehmann -- Hamlet in silence: reinventing the prince on celluloid / Kenneth S. Rothwell -- "Two of both kinds": modernism and patriarchy in Peter Hall's A midsummer night's dream / Peter S. Donaldson -- Cinema hysterica passio: voice and gaze in Jean-Luc Godard's King Lear / Alan Walworth -- The incorporation of word as image in Peter Greenaway's Prospero's books / Lia M. Hotchkiss -- Cinema of cruelty: powers of horror in Julie Taymor's Titus / Lisa S. Starks -- Untimely ripped: mediating witchcraft in Polanski and Shakespeare / Bryan Reynolds -- Utopian revisioning of Falstaff's tavern world: Orson Welles's Chimes at midnight and Gus Van Sant's My own private Idaho / Kathy M. Howlett -- Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom / Douglas E. Green -- The screening of the shrews: teaching (against) Shakespeare's author function / John Brett Mischo -- The reel Shakespeare: a selective bibliography of criticism / Jose RamoĢn Diaz-Fernandez.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.