Includes bibliographical references (pages 317-342) and index.
Contents:
Appendix C. Manuscripts containing works by Anne de Graville. Part 1. Anne de Graville : reader and collector. J'en garde un leal : reconstructing Anne de Graville's library ; 'A vos yeulx, un peu de recreation' : translation, translatio studii and self-fashioning in Anne de Graville's Chaldean histories ; The Rouen connection : the Puy, poetry and Petrarch -- Part 2. From reading to writing : Anne as author. Musas natura, lachrymas fortuna : Anne de Graville, Christine de Pizan and women's shaping of the querelle des femmes ; Love, Amazons and fortune in the Beau roman for Claude of France ; Debating with 'Maistre Allain' : Chartier, Blois and poetic form in the Rondeaux for Louise of Savoy -- Conclusion. 'Celle la qui porte le regnon' : a last word on Anne de Graville -- Appendix A. Books inherited, acquired, commissioned by or associated with Anne de Graville -- Appendix B. Inventory of the d'Urfé library at La Bâtie, c. 1780 -- Appendix C. Manuscripts containing works by Anne de Graville.
Summary:
"In the 1520s, the French noblewoman Anne de Graville composed two poetic works, based on older, canonical, male-authored texts: Giovanni Boccaccio's Teseida and Alain Chartier's Belle dame sans mercy. The first, the Beau roman, she offered to Claude, queen of France and wife of Francis I, and the second, the Rondeaux, to the king's mother, Louise of Savoy. With the pro-feminine spin of her rewritings, Anne developed the legacy of another woman writer from 100 years earlier, Christine de Pizan, by entering the on-going debate known as the querelle des femmes. Like Christine, Anne sought to redress the negative view of women found in much contemporary popular literature and to offer role models for both men and women at the court of Francis I. This book is the first detailed reconstruction and interpretation of Anne's library and her collecting practice, showing how they relate to her own writings and her literary milieu. It also teases out her links to other women writers of the time interested in the querelle, such as Catherine d'Amboise and Margaret of Navarre. Paying close attention to literary, manuscript, and artistic sources, it establishes Anne's reputation as one of the most erudite poets of the period, and one keenly attuned to the position of women in society as well as to the political sensitivities of the French court"--Back cover.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.