The Locator -- [(subject = "English literature--18th century--History and criticism")]

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Author:
Stanyon, Miranda, 1984- author.
Title:
Resounding the sublime : music in English and German literature and aesthetic theory, 1670-1850 / Miranda Eva Stanyon.
Publisher:
University of Pennsylvania Press,
Copyright Date:
2021
Description:
x, 274 pages ; 24 cm.
Subject:
Aesthetics in music.
1700-1799
Sublime, The, in literature.
Sublime, The, in music.
English literature--18th century--History and criticism.
German literature--18th century--History and criticism.
Music in literature.
Sublime, The--History--18th century.
Aesthetics in literature.
Aesthetics in literature.
English literature.
German literature.
Music in literature.
Sublime, The.
Sublime, The, in literature.
Sublime, The, in music.
Criticism, interpretation, etc.
History.
Notes:
Includes bibliographical references and index.
Contents:
Chapter 1. Music as a "bastard imitation of persuasion"? Power and legitimacy in Dryden and Dennis -- Chapter 2. "What passion cannot musick raise and quell!" Passionate and dispassionate sublimity with the Hillarians and Handelians -- Chapter 3. Reforming aesthetics : Bodmer and Breitinger's anti-musical sublime -- Chapter 4. Klopstock, rustling, and the antiphonal sublime -- Chapter 5. The beauty of the infinite : Herder's sublimely-beautiful, beautifully-sublime music -- Chapter 6. The terror of the infinite : Thomas De Quincey's reverberations.
Summary:
"Focusing on English and German texts and the intricate relationships between them, this book seeks to reread-or, perhaps better, re-sound-sublimity through the lens of music, from the sublime's rise to prominence in the later seventeenth century, through the upheavals associated with Kant in the late eighteenth century and their reverberations in the nineteenth century. Closely reading a series of canonical and little-known literary and critical texts in dialogue with musical cultures, the book offers new perspectives on the sublime as a transdisciplinary, transmedial, and transcultural phenomenon. In doing so, it argues for the importance of sonic models to the sublime; it traces harmonious, discordant, and resolutely silent varieties of sublimity; and it suggests resonances between past sublimes and current aesthetics and ethics"-- Provided by publisher.
Series:
Sound in history
ISBN:
0812253086
9780812253085
OCLC:
(OCoLC)1199328705
LCCN:
2020043905
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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