Includes bibliographical references (pages 174-188) and index.
Contents:
Introduction -- 1. Revelations -- Artist Nan Goldin and the Sackler family -- The historical roots of museums -- The untenability of the universal -- Progressive era reform -- 2. Art and Context -- Colonialism and repatriation -- Dana Schutz at the Whitney -- The Philip Guston Retrospective -- Sam Durant at the Walker -- 3. Show Me the Money -- Questions for philanthropy -- Warren Kanders, tear gas, and the Whitney -- Reimagining public funding -- Questioning governance -- 4. Unlearning, Undoing, Remaking -- Alternate storytellings -- Approach to decolonization and indigenization -- Survivance -- 5. The Neutrality Problem -- Spilled ink -- Materializing the neutral -- Working toward the "Not-Yet" -- 6. Going Forward -- Who is "we"? -- Collective work -- Invitations to participate -- Public culture -- 7. Liberation Serif -- COVID-19 -- Breath -- Reckonings and demands -- Acknowledgements -- Selected bibliography -- Notes -- Index.
Summary:
"In an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders) - to say nothing of demonstrations over exhibitions and artworks - have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture. As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests. Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy - she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence. In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends."--Dust jacket.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.