Concepts and considerations: an introduction -- Business and economics -- Starting Up the Lidingòˆ studio -- 1913: novel production practices -- 1914-1916: productions and alliances -- Conceptual indicators of changes in film style -- From nonsense to film art: historiographic negotiations -- Critical recognition and commercial misgivings: responses from key markets -- Crossroads: from Lidingòˆ to Berlin via Dalecarlia and London -- Archival practices.
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