Part III. The sound era -- Epilogue: the Chaplin century. The slapstick exemption -- Harold Lloyd, Buster Keaton, and the classical style -- Part II. The silent era -- Chaplin's filmmaking technique -- Chaplin's filmmaking philosophy -- A masterpiece of mediation: City lights -- Part III. The sound era -- Dangerous voices: modern times and the great dictator -- Substituting speech for style: Monsieur Verdoux, Limelight, and A king in New York -- Return to form: A countess from Hong Kong -- Epilogue: the Chaplin century.
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