Includes bibliographical references, filmographies, and index.
Contents:
Introduction / Sylvie Durmelat and Vinay Swamy -- From "Ghettoes" to Globalization: Situating Maghrebi-French Filmmakers / Alec G. Hargreaves -- Hidden Islam: The Role of the Religious in Beur and Banlieue Cinema / Michel Cadâe -- "Et si on allait en Algâerie?" Home, Displacement, and the Myth of Return in Recent Journey Films by Maghrebi-French and North African âEmigrâe Directors / Will Higbee -- Turning Integration Inside Out: How Johnny the Frenchman Became Abdel Bachir the Arab Grocer in Il âetait une fois dans l'oued / Hakim Abderrezak -- Re-Visions of the Algerian War of Independence: Writing the Memories of Algerian Immigrants into French Cinema / Sylvie Durmelat -- Rachid Bouchareb's Indigáenes: Political or Ethical Event of Memory? / Mireille Rosello -- Class Acts: Education, Gender, and Integration in Recent French Cinema / Carrie Tarr -- Don't Touch the White Woman: La journâee de la jupe or Feminism at the Service of Islamophobia / Geneviáeve Sellier -- A Space of Their Own? Women in Maghrebi-French Filmmaking / Patricia Geesey -- Sexual/Social (Re)Orientations: Cross-Dressing, Queerness, and the Maghrebi/Beur Male in Liria Bâegâeja's Change-moi ma vie and Amal Bedjaoui's Un fils / Darren Waldron -- (Re)Casting Sami Bouajila: An Ambiguous Model of Integration, Belonging, and Citizenship / Murray Pratt and Denis M. Provencher -- Repackaging the Banlieues: Malik Chibane's La Trilogie Urbaine / Vinay Swamy.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.