Includes bibliographical references (pages 267-279) and index. Bound with: History, painting, and the seriousness of pleasure in the age of Louis XV; and, Enlightenment Virtue, 1680-1794. IaU
Summary:
"The emergence of a theatrical science of man in France, 1660-1740 highlights a radical departure from discussions of dramatic literature and its undergirding rules to a new, relational discourse on the emotional power of the theater. Through a diverse cast of religious theaterphobes, government officials, playwrights, art theorists, and protophilosophes, Connors shows the concerted effort in early Enlightenment France to use texts about theater to establish broader theories on emotion, on the enduring psychological and social ramification of affecting moments, and, more generally, on human interaction, motivation, and social behavior."-- Cover page 4.
Series:
Oxford University studies in the Enlightenment, 0435-2866 ; 2020:01.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.