Introduction: African American television trade -- Roots and the perils of African American television drama in a global world -- Integrated eighties situation comedies and the struggle against apartheid -- The Cosby show, family themes, and the ascent of white situation comedies abroad in the late 1980s -- The Fresh prince of Bel-Air, channel fragmentation, and the recognition of difference -- The worldwide circulation of contemporary African American television -- Black television from elsewhere: the globalization of non-U.S. Black television -- Conclusion: transnational televisual aesthetics and global discourses of race.
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