Includes bibliographical references (p. 161-183) and indexes.
Contents:
1. Photographs and frames; Photography and theory; The concept of the frame; Using social semiotics for frame analysis; The photojournalistic register and genre; Visual and textual frames; Two examples -- 2. Official U.S. views; Photography and propaganda; A soldier's story; Paper bullets; The white man's burden; Photo-texts in/about war -- 3. Western European press views; Photography and the news; Initial responses across the Atlantic; The framing of combatants and technologies; Visualizing leadership in wartime; Home fronts in a globalized world; Refugees: threatened and dangerous; The civilian body as battleground; Photography and info-graphics; Invisible Afghanistan -- 4. The photo-book; Photography and the documentary tradition; War as quest; Dystopian landscapes; The photo studio as heterotopia; The otherness of war -- Conclusion.
Series:
The Hampton Press communication series. Communication, globalization and cultural identity
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.