The Locator -- [(subject = "Cruelty")]

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Author:
Di Ponio, Amanda, author.
Title:
The early modern theatre of cruelty and its doubles : Artaud and influence / Amanda Di Ponio.
Publisher:
Palgrave Macmillan,
Copyright Date:
2018
Description:
xii, 270 pages ; 22 cm.
Subject:
Artaud, Antonin,--1896-1948.--Théâtre et son double.
Artaud, Antonin,--1896-1948--Criticism and interpretation.
Artaud, Antonin,--1896-1948--Influence.
Artaud, Antonin,--1896-1948.
Théâtre et son double (Artaud, Antonin)
English drama--Early modern and Elizabethan, 1500-1600--History and criticism.
English drama--Early modern and Elizabethan, 1500-1600--Influence.
Cruelty in literature.
Cruelty in literature.
English drama--Early modern and Elizabethan.
Influence (Literary, artistic, etc.)
Artaud, Antonin--1896-1948--Le théâtre et son double
Drama
Englisch
Rezeption
Theater der Grausamkeit
1500-1600
Criticism, interpretation, etc.
Notes:
Includes bibliographical references (pages 237-259) and index.
Contents:
Introduction -- Section I -- The Theatre and Its Double -- Interpreting Antonin Artaud's Theatre of Cruelty -- Section II -- Elizabethan Social History: Doubles of the Theatre -- Theatre and Plague: The Doubly Potent Spectacles of Early Modern Culture -- Bear-Baiting and the Theatre of Cruelty -- Section III -- The Sources of Dramatic Cruelty -- Thyestean Savagery: Seneca, the Renaissance, and the Theatre of Cruelty -- Artaud and the `Elizabethans': Revenge Tragedy as Inspiration for a Theatre of Cruelty -- Section IV -- The Theatre of Cruelty in Performance -- Artaud's Les Cenci -- After Artaud: Peter Brook and The Theatre of Cruelty Season -- Conclusion
Summary:
This book examines the influence of the early modern period on Antonin Artaud{u2019}s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud{u2019}s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama.
Series:
Avant-gardes in performance
ISBN:
9783319922485
3319922483
OCLC:
(OCoLC)1032581233
LCCN:
2018944446
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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