Introduction: recovering an early twentieth-century Cherokee national imaginary -- Citizenship, land, and law in John Milton Oskison's Black Jack Davy -- Oppositional discourse and revisionist historiography in Rachel Caroline Eaton's John Ross and the Cherokee Indians -- Blood, belonging, and modernist form in Lynn Riggs's The Cherokee night -- Cherokee trans/national stateswomanship in the nonfiction writings of Ruth Muskrat Bronson -- Afterword.
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