Includes bibliographical references (pages 206-227) and index.
Contents:
Introduction -- E pluribus unum: history and photographic difference -- Hybrid photographies in London labour and the London poor -- Composing gendered selfhoods in Robert Louis Stevenson and Amy Levy -- "We do the rest": photography, labour and Howellsian realism -- "Literature of attractions": Jack London and early cinema -- Afterword.
Summary:
Literature and Photography in Transition, 1850-1915 looks at how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London, each of whom deals with the transition between photographic methodologies.--Provided by publisher
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.