Introduction: points of departure / Louise Detwiler and Janis Breckenridge -- Moving theories: neoliberalism and coalitions. Writing Fabio Argueta: testimonio, ethnography, and human rights in the Neoliberal Age / Leigh Binford -- Testimonio and its travelers: feminist deployments of a genre in action / Patricia Connolly -- Positioning oppositional performances: clandestine, reluctant, and false witnesses. Hiding the camera in Miguel Littin's Acta general de Chile / David William Foster -- Guerilla narratives through the kaleidoscope of time: Nicaragua and the revolution that was / Julia M. Medina -- Bearing false witness? the politics of identity in Elsa Osorio's My name is light (A veinte anos, Luz) / Nancy J. Gates-Madsen -- Connected communities: emerging contexts and merging mediums. Testimony in truth commissions and social movements in Latin America / Lynn Stephen -- Rumors as testimonios of insile in La mujer en cuestion (The woman in question) by Maria Teresa Andruetto / Corinne Pubill -- Accomplishing "tellable-tellings": managing displays of faith on live radio / Melissa Guzman -- Embroidered discourse/s break the silence: the CPR-Sierra of Guatemala (Re)vive Testimonio / T. M. Linda Scholz -- -- Novel landscapes: counter-geographies, graphics, and terra-trauma. Ciudad Juarez as a palimpsest: searching for ecotestimonios / Alice Driver -- Drawing the line between memory, history, and artistic re/creation: Miguel Gallardo and Carlos Gimenez's graphic testimonies of Civil War Spain / Janis Breckenridge -- Witnessing the Earth through Gaspar Pedro Gonzalez's El 13 B'aktun: La Nueva Era 2012 (13 B'aktun: Mayan visions of 2012 and beyond) / Louise Detwiler -- Conclusion: "something that might resemble a call": testimonial theory and practice in the twenty-first century / Kimberly A. Nance.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.