Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and it starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native spectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.
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