Cronos: Federico Luppi, Ron Pearlman, Claudio Brook, Margarita Isabel, Tamara Shanath, Daniel Giménez Cacho, Mario Iván Martínez, Farnesio de Bernal, Juan Carlos Colombo, Jorge Martínez de Hoyos, Luis Rodríguez, Javier Álvarez, Gerardo Moscoso, Eugenio Lobo. The Devil's Backbone: Marisa Paredes, Eduardo Noriega, Federico Luppi, Fernando Tielve, Íñigo Garcés, Irene Visedo, José Manuel Lorenzo, Paco Maestre, Junio Valverde, Berta Ojea, Adrián Lamana, Daniel Esparza, Javier González Madrigal, Víctor Barroso. Pan's Labyrinth: Ivana Baquero, Sergi López, Maribel Verdú, Doug Jones, Álex Angulo, Ariadna Gil, Manolo Solo, César Vea, Roger Casamajor, Ivan Massagué, Gonzalo Uriarte, Eusebio Lázaro, Paco Vidal, Federico Luppi, Pablo Adán. Title from container, credits from booklet. Special features: High-definition digital restoration of Cronos, 2K digital restoration of The Devil's Backbone, and newly graded 2K digital master of Pan's Labyrinth, all supervised and approved by director Guillermo del Toro, with 2.0 surround DTS-HD Master Audio soundtrack for Cronos and 5.1 surround DTS-HD Master Audio soundtracks for The Devil's Backbone and Pan's Labyrinth ; Audio commentaries ; Interviews with del Toro, director of photography Guillermo Navarro, and actors Doug Jones, Federico Luppi, and Ron Perlman ; Welcome to Bleak House, a 2010 video tour by del Toro of his personal collections ; New piece on Pan's Labyrinth featuring del Toro and novelist Cornelia Funke ; Interactive director's notebooks for The Devil's Backbone and Pan's Labyrinth ; Making-of documentaries for The Devil's Backbone and Pan's Labyrinth ; Geometria, a 1987 short horror film by del Toro finished in 2010 ; Footage of actor Ivana Baquero auditioning for Pan's Labyrinth in 2005 ; Original Spanish-language voice-over introduction for Cronos ; Introductions by del Toro for The Devil's Backbone and Pan's Labyrinth ; The Devil's Backbone deleted scenes, with commentary by del Toro ; Presentation of del Toro's thumbnail sketches for The Devil's Backbone and Pan's Labyrinth ; Programs comparing del Toro's thumbnail sketches and production storyboards for The Devil's Backbone and Pan's Labyrinth with the final films ; Piece on The Devil's Backbone's depiction of the Spanish Civil War ; Animated comics featuring prequel stories for the creatures of Pan's Labyrinth ; Gallery of stills from Cronos, captioned by del Toro ; Trailers and TV spots ; English subtitle translations approved by del Toro ; Essays by critics Michael Atkinson, Mark Kermode, and Maitland McDonagh, along with production notes and sketches by del Toro and illustrators Carlos Giménez and Raúl Monge.
Contents:
Pan's Labyrinth / Written, produced, and directed by Guillermo del Toro ; produced by Bertha Navarro, Alfonso Cuarón, Frida Torresblanco, Álvaro Augustín ; executive producers: Belén Atienza, Elena Manrique ; director of photography: Guillermo Navarro, ASC ; edited by Bernat Vilaplana. The Devil's Backbone / Directed by Guillermo del Toro ; executive producers: Agustín Almodóvar, Bertha Navarro ; producer: Pedro Almodóvar ; director of photography Guillermo Navarro, ASC ; coproducer: Rosa Bosch ; written by Guillermo del Toro, Antonio Trashorras, David Muñoz ; editor: Luis de la Madrid -- Pan's Labyrinth / Written, produced, and directed by Guillermo del Toro ; produced by Bertha Navarro, Alfonso Cuarón, Frida Torresblanco, Álvaro Augustín ; executive producers: Belén Atienza, Elena Manrique ; director of photography: Guillermo Navarro, ASC ; edited by Bernat Vilaplana.
Summary:
"Throughout a career that encompasses both visually arresting art-house hits and big-budget Hollywood spectacles, director Guillermo del Toro has continually redefined and elevated the horror genre with his deeply personal explorations of myths and monsters. These three Spanish-language films, each a tale of childhood in troubled times, showcase his singular fusion of the fantastic and the real. Drawing inspiration from a rich variety of sources, from Alfred Hitchcock to Francisco de Goya, the gothic-infused stories collected here-populated by vampires, ghosts, and a fairy-tale princess-make evident why del Toro is considered the master cinematic fabulist of our time."--Container. Cronos: "Guillermo del Toro made an auspicious and audacious feature debut with Cronos, a highly unorthodox tale about the seductiveness of the idea of immortality. Kindly antiques dealer Jesús Gris (Federico Luppi) happens upon an ancient golden device in the shape of a scarab, and soon finds himself the possessor and victim of its sinister, addictive powers, as well as the target of a mysterious American named Angel (a delightfully crude and deranged Ron Perlman). Featuring marvelous special makeup effects and the haunting imagery for which del Toro has become world-renowned, Cronos is a dark, visually rich, and emotionally captivating fantasy."--Container. The Devil's Backbone: "One of the most personal films by Guillermo del Toro, The Devil's Backbone is also among his most frightening and emotionally layered. Set during the final week of the Spanish Civil War, it tells the tale of a twelve-year-old boy who, after his freedom-fighting father is killed, is sent to a haunted rural orphanage full of terrible secrets. Del Toro expertly combines gothic ghost story, murder mystery, and historical melodrama in a stylish mélange that, like his later Pan's Labyrinth, reminds us the scariest monsters are often the human ones."--Container. Pan's Labyrinth: "An Academy Award--winning dark fable set five years after the end of the Spanish Civil War, Pan's Labyrinth encapsulates the rich visual style and genre-defying craft of Guillermo del Toro. Eleven-year-old Ofelia (Ivana Baquero, in a mature and tender performance) comes face to face with the horrors of fascism when she and her pregnant mother are uprooted to the countryside, where her new stepfather (Sergi López), a sadistic captain in General Francisco Franco's army, hunts down Republican guerrillas refusing to give up the fight. The violent reality in which Ofelia lives merges seamlessly with her fantastical interior world when she meets a faun in a decaying labyrinth and is set on a strange, mythic journey that is at once terrifying and beautiful. In his revisiting of this bloody period in Spanish history, del Toro creates a vivid depiction of the monstrosities of war infiltrating a child's imagination and threatening the innocence of youth."--Container.
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