Introduction: adaptation studies and gender -- Story properties, women writers, and the inter-industrial complex of early twentieth-century adaptation -- The age of innocence, 1920: publication and romantic authorship -- The age of innocence, 1920/1924: screen adaptation and an author's reputation -- The age of innocence, 1926/1928: stage adaptation and multi-vocal authorship -- Show boat, 1926/1928: genre and gender in print and on screen -- Show boat, 1926/1927: musical genre and the Ziegfeld girl -- Show boat, 1927/1929: adapting for sound film -- Gentlemen prefer blondes, 1925/1926: fidelity and consumerist femininity in print and on stage -- Gentlemen prefer blondes, 1925/1928: faithfully (re)producing farce on screen -- Conclusion: modern resonances.
Summary:
"In Women Adapting, Bethany Wood examines how the developing preference for adaptations in early twentieth century entertainment promoted interrelationships among fiction, theatre, and film. Weaving together a broad range of archival sources, including personal correspondence, rejected rough drafts, advertisements, films, periodical illustrations, contracts, 'lost' songs, and film stills, Wood deftly explores how early-twentieth-century processes of adaptation forged connections across industries in entertainment. By centering her cross-disciplinary study on issues of gender, Wood considers how inter-industrial systems of adaptation affect both women writers and the female characters they create"-- Provided by publisher. "When most of us hear the title Gentlemen Prefer Blondes, we think of Marilyn Monroe and Jane Russell's iconic film performance. Few, however, are aware that the movie was based on Anita Loos's 1925 comic novel by the same name. What does it mean, Women Adapting asks, to translate a Jazz Age blockbuster from book to film or stage? What adjustments are necessary and what, if anything, is lost? Bethany Wood examines three well-known stories that debuted as women's magazine serials--Gentlemen Prefer Blondes, Edith Wharton's The Age of Innocence, and Edna Ferber's Show Boat--and traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptation. She documents the formation of adaptation systems and how they involved women's voices and labor in modern entertainment in ways that have been previously underappreciated. What emerges is a picture of a unique window of time in the early decades of the twentieth century, when women in entertainment held influential positions in production and management. These days, when filmic adaptations seem endless and perhaps even unoriginal, Women Adapting challenges us to rethink the popular platitude, 'The book is always better than the movie.'" -- Publisher's description
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.