Includes bibliographical references (p. 269-280) and index.
Contents:
Altering Oroonoko and Imoinda in mid-eighteenth century British drama -- Amelioration, African women, and the soft, strategic voice of paternal tyranny in The grateful negro -- "Between the saints and the rebels": Imoinda and the resurrection of the black African heroine -- Creoles, closure, and Cubba's comedy of pain: abolition and the politics of homecoming in eighteenth-century British farce -- "'What' cried the delighted mulatto, 'are we going to prosecu massa?'": Adeline Mowbray's distinguished complexion of abolition -- "An unportioned girl of my complexion can...be a dangerous object." Abolition and the mulatto heiress in England.
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