The Locator -- [(subject = "Voice culture")]

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Title:
Grounds for possible music : on gender, voice, language, and identity / Julia Eckhardt, ed.
Publisher:
Errant Bodies Press,
Copyright Date:
2018
Description:
141 pages : illustrations (colour, and black and white) ; 27 cm
Subject:
Gender identity in music.
Voice culture.
Music and language.
Gender identity in music.
Voice culture.
Music and language.
Other Authors:
Eckhardt, Julia, editor.
Notes:
Includes bibliographical references.
Contents:
Introduction: Nothing to be scared of / Andrea Parkins. "There are none so deaf" / Jaume Ferrete Vazquez -- All those voices / Myriam Van Imschoot -- New operas, new women? / Susan McClary -- On queer musical memories / Marion Wasserbauer -- Voices up for grabs : a virtual conversation / Marc Matter -- I am the wall : where will you be main frequencies / Romy Ru˜egger -- From universal to singular listening / Pali Meursault -- Two snakes fucking : disparate and personal thoughts on drag and opera / Richard Scott -- Tele drumming / Aurelie Nyirabikali Lierman -- Een odo snijden ; Y'e kot' wan odo ; Cutting an odo / Peter Westenberg -- Postcards from the fringes of language / Heimo Lattner & Judith Laub -- Women as animal, women as alien : reclaiming women's demonic voices / Cathy Lane -- Gender and resilience : (take care of your swelf) / Marijs Boulogne -- " ... No, I don't ****** sing" / Electric Indigo & AGF/Antye Greie -- Even in 2017 / Felicity Ford -- Pedagogy of flow : sound and bodies / Bonnie Jones & Suzanne Thorpe -- Nothing to be scared of / Andrea Parkins.
Summary:
"How do we get to imagine the music we make? Where and how is it grounded? What is the relationship between the art and its maker, and what and who does music represent? Gender, voice, language, and identity are four important notions for musical creation, for the shaping of a canon, and for the interactions in the field. All four notions are strongly contextual and carry an inherent sense of paradigm and otherness. Other and self are defined via orientation and history, expressed via voice, and confirmed in language. In this publication, these four core notions serve as a set of lenses permitting different perspectives on one another. However much the field of the sounding arts might pretend to be tangential to such affections, they provide important grounds for musical creation. Some twenty artists have created a variety of outputs - as different in form, strategies, approach, and language, as they are rooted in a variety of sub-fields within the sounding arts. With contributions by AGF aka Antye Greie, Andrea Parkins, Aurelie Lierman, Bonnie Jones, Cathy Lane, Electric Indigo aka Susanne Kirchmayr, Felicity Ford, Heimo Lattner, Jaume Ferrete Vazquez, Judith Laub, Julia Eckhardt, Marc Matter, Marijs Boulogne, Marion Wasserbauer, Myriam Van Imschoot, pali meursault, Peter Westenberg, Richard Scott, Romy Ru˜egger, Susan McClary, Suzanne Thorpe." -- Back cover.
ISBN:
9780997874426
0997874422
OCLC:
(OCoLC)1023057869
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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