Includes bibliographical references (pages 175-188) and index.
Contents:
Boundaries and flows : music in Jamaican Pentecostal churches at home and abroad -- Perfecting holiness : musical theologies of piety and pleasure -- The anointing makes the difference : power, presence, and gendered worship -- The old-time way : nostalgia, tradition, and testimony -- Performing ethnicity : style, transcendence, and African American gospel -- Conclusion : identity, the Holy Spirit, and the global community.
Summary:
"Pentecostals throughout Jamaica and the Jamaican diaspora use music to declare what they believe and where they stand in relation to religious and cultural outsiders. Yet the inclusion of secular music forms like ska, reggae, and dancehall complicated music's place in social and ritual practice, challenging Jamaican Pentecostals to reconcile their religious and cultural identities. Melvin L. Butler journeys into this crossing of boundaries and its impact on Jamaican congregations and the music they make. Using the concept of flow, Butler's ethnography evokes both the controversial sharing of musical and ritual resources between Jamaica and the United States. Highlighting constructions of religious and cultural identity, Butler illuminates music's vital place in how the devout regulate spiritual and cultural flow while striving to maintain both the sanctity and fluidity of their evolving tradition"--Back cover.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.