Of princesses and queens: the mythical journeys home in Djanet Sears' Afrika, solo and Rebecca Fisseha's Wise.woman / Christopher Olsen. Re-visionary history as myth performance: a postcolonial re-reading of Maud Cuney-Hare's Antar of Araby, Willis Richardson's The Black horseman, and Aimé Césaire's And the dogs were silent / Dannabang Kuwabong -- The Òrìsà paradigm: an overview of African-derived mythology, folklore, and kinesthetic dance performative / Benita Brown -- Performative body language in Suzan-Lori Parks' Venus and Lynn Nottage's Ruined: African female bodies through African American eyes / Christopher Olsen -- The codification of soul in African-derived dance culture / Benita Brown -- Of rebels, tricksters, and supernatural beings: toward a semiotics of myth performance in African Caribbean and Afro-Brazilian dramas / Dannabang Kuwabong -- Of princesses and queens: the mythical journeys home in Djanet Sears' Afrika, solo and Rebecca Fisseha's Wise.woman / Christopher Olsen.
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