Auteur Theory 2004 / Michael Kronenberg 2004. 3 -- Having Something to Say 1968 / John Benson Benson, John 8 -- Will Eisner: Before the Comics 1973 / John Benson Benson, John 24 -- An Interview with Will Eisner 1974 / Dave Sim Sim, Dave 33 -- An Interview with Will Eisner 1976 / Jerry DeFuccio DeFuccio, Jerry 40 -- Will Eisner Interview 1978 / cat yronwode yronwode, cat 47 -- A Talk with Will Eisner 1983 / Ted White White, Ted, Mitch Berger Berger, Mitch, Mike Barson Barson, Mike 79 -- Will Eisner 1985 / Dale Luciano Luciano, Dale 87 -- Mastering the Form: An Interview with Will Eisner 1988 / Ben Schwartz Schwartz, Ben 103 -- A Cartoonist's Cartoonist 1989 / Elinor Burkett Burkett, Elinor 108 -- Getting the Last Laugh: My Life in Comics 1990 / Will Eisner Eisner, Will 113 -- Will Eisner: The Old Man on the Mountain 1993 / Stanley Wiater Wiater, Stanley, Stephen R. Bisette Bisette, Stephen R. 121 -- Night of the Paper Noir 1996 / Peter DePree DePree, Peter 131 -- Will Eisner's Vision and the Future of the Comics 1998 / R.C. Harvey Harvey, R.C. 176 -- Interview: Will Eisner 2000 / Tasha Robinson Robinson, Tasha 185 -- Eisner Wide Open 2000 / Tom Heintjes Heintjes, Tom 196 -- The Spirit of Comics! The Will Eisner Interview 2003 / Danny Fingeroth Fingeroth, Danny 205 -- Auteur Theory 2004 / Michael Kronenberg Kronenberg, Michael 2004.
Summary:
Will Eisner's innovations in the comics, especially the comic book and the graphic novel, as well as his devotion to comics analysis, make him one of comics' first true auteurs and the cartoonist so revered and influential that cartooning's highest honor is named after him. His newspaper feature The Spirit (1940-1952) introduced the now-common splash page to the comic book, as well as dramatic angles and lighting effects that were influenced by, and influenced in turn, the conventions of film noir.
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