Includes bibliographical references (p. [266]-300) and index. Includes filmography.
Contents:
Introduction -- From "making Italians?" to envisioning postcolonial Italy -- Mixed-race relationships in the Italian colonial and postcolonial imaginary -- Negotiations of interracial identity and citizenship in the post-war cinema and beyond -- Transatlantic crossings: representing hierarchies of whiteness in the cinema of the economic miracle -- Zumurrud in her camera: Pier Paolo Pasolini and the global south in contemporary Italian film -- Conclusion.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.