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Author:
Salvesen, Britt, author.
Title:
3D : double vision / Britt Salvesen ; with curatorial assistance by Nicholas Barlow ; with contributions by Thomas F. Banchoff, Eric Drysdale, Erkki Huhtamo, Zach Rottman, and Gloria Sutton.
Publisher:
Los Angeles County Museum of Art ;
Copyright Date:
2018
Description:
207 pages : illustrations (some color) ; 29 cm
Subject:
Three-dimensional imaging--Social aspects--Exhibitions.
Photography, Stereoscopic--Exhibitions.
Technology and the arts--Exhibitions.
Photography, Stereoscopic.
Technology and the arts.
Exhibition catalogs.
Other Authors:
Barlow, Nicholas, 1989- contributor.
Banchoff, Thomas, contributor.
Drysdale, Eric, contributor.
Huhtamo, Erkki, contributor.
Rottman, Zach, contributor.
Sutton, Gloria, contributor.
Los Angeles County Museum of Art, host institution. host institution.
Other Titles:
3D (Los Angeles County Museum of Art)
Notes:
"Published in conjunction with the exhibition 3D: Double Vision at the Los Angeles County Museum of Art, July 15, 2018-March 31, 2019"--Colophon. Includes bibliographical references (pages 192-195) and index.
Contents:
3D: Double Vision / Britt Salvesen -- Introduction: Surface and Depth -- Invention: The Giant Eyes of Science -- First Encounters with the Fourth Dimension / Thomas F. Banchoff -- Consolidation: A Stereoscope in Every Room -- Inside Stereoscopic Mania / Errki Huhtamo -- Commercialization: Feelies, Deepies, Roundies -- Stereo Realist: "The Camera That Sees the Same as You" / Eric Drysdale -- Interrogation and Integration: Behold a Virtual World -- The Human-Machine Interface: Feedback Experiments of the 1960s-70s / Gloria Sutton -- Conclusion: Historical Shadows -- 3D Timeline / Zach Rottman.
Summary:
This book follows the cyclical development of 3D media from the 1830s to the present, tracing an alternate history of modernism in which virtual depth takes precedence over material flatness. Pursuing a career-long obsession, author Britt Salvesen explores the origins of the stereoscope and its impact on later artists, featuring historic images by Jules Duboscq, Marcel Duchamp, Oskar Fischinger, Salvador Dali, and others. She traces the origins of anaglyph and polarized film, as well as other 3D formats, such as View-Master, Stereo Realist, lenticular printing, computer animation, and holography. Readers learn how 3D techniques were adopted by such artists as Simone Forti, Dan Graham, Mariko Mori, William Kentridge, Trisha Baga, and Lucy Raven. Encompassing nearly 200 years of innovation and covering a wide range of genres, artists, and media-from sophisticated perceptual experimentation to popular cinema- this volume explores how and why 3D images remain wondrous to 21st-century artists and audiences. Each book includes 3D viewing apparatuses to allow readers to fully engage in this multi-dimensional history of artistic expression.00Exhibition: Los Angeles County Museum of Art, USA (15.07.2018- 31.03.2019).
ISBN:
3791356682
9783791356686
OCLC:
(OCoLC)1005189691
LCCN:
2017045351
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.