In Rush Hour and other stories to read by train, Luis Antonio Rodríguez explores, for the first time, the narrative genre in stories and characters, typical of the great city New York, that invite us to enter into that other everyday: literary ambiguity. In it the fantastic, memory, loneliness, sexuality and love, among other moles, we always present between two constants the trip (by train) and the dream (own or other) as if both poles were the same destination . A narrator eager to share an anecdote, and with an inclination to crooked humor, is our traveling companion. --Back cover [English translation from editorialislanegra.com].
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