Includes bibliographical references (pages 179-194) and index.
Contents:
Conceptual blending and imagining historical time and space [The promise, Herr Lehmann, Sonnenallee, Goodbye, Lenin!] -- Theory of mind and the cinematic retelling of history [Nowhere in Africa, Goodbye, Lenin!, Downfall, The lives of others] -- Perspective-taking and empathic responses to historical film [Rosenstrasse, Sophie Scholl: Die letzten Tage, Die Fälscher, Die Stille nach dem Schuss, Der Baader Meinhof Komplex].
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