Study of the life and work of the Gond artist Jangarh Singh Shyam. Includes bibliographical references (pages 144-145).
Summary:
This volume presents a study of the life and work of the Gond artist Jangarh Singh Shyam. Before any sound critical framework could be evolved around the phenomenal artist Jangarh Singh Shyam as the originator of an extraordinary individualistic idiom of painting, ruthless market forces regrettably came to dominate his art and Jangarh himself became their first casualty. While trying to finish a large commission at a museum in Japan under adverse circumstances, Jangarh committed suicide in 2001. He was 40. The book probes the efficacy of extra-cultural interventions into an individual artist's operative and relatively well-grounded indigenous cultural tradition, and asks how the latter interacts with the new, while intentionally reinventing itself. Equipped with a powerful sensibility and a profound nostalgia for the world of his native village of Patangarh that he left behind, Jangarh created, over two decades in Bhopal, a sea of paintings inhabited by gods and demons, shamans and priests, birds and animals, crabs, scorpions, lizards and crocodiles, as well as forests, trees and shrubbery. The entire realm that had remained latent in his mind?s eye over the years thus came to life, image by image, in response to the new and alluring space of paper, canvas or the expansive walls that he turned into a vast and unique conjuror's archive; opening up a personal space from where to speak.
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