The 1st work originally for violoncello and piano, transcribed for trombone and piano by Bill Booth; the 2nd, originally for trombone and orchestra, arranged for trombone and piano by the composer; the 3rd, for trombone, string quartet, and marimba; the 4th, originally for tuba and piano, transcribed for trombone and piano; the 5th, originally for voice and piano, transcribed for trombone and piano by Bill Booth; the 6th, for trombone and instrumental ensemble; the 7th, originally for clarinet and piano, transcribed for trombone and piano by Bill Booth. Bill Booth, trombone ; Bryan Pezzone (1st-2nd, 4th-7th works), Antoinette Perry (6th work), Gloria Cheng-Cochran (6th work), piano ; Clayton Haslop, Liane Mautner, violin (3rd work) ; Janet Lakatos, viola (3rd, 6th works) ; David Speltz (3rd work), Dennis Karmazyn (6th work), violoncello ; Greg Goodall, percussion (3rd, 6th works) ; Louise DiTullio, flute (6th work) ; James Kanter, clarinet (6th work) ; Burnette Dillon, trumpet (6th work) ; Gayle Levant, harp (6th work) ; Richard Kaufman, conductor (6th work). Recorded June 18-19, 1993 at Little Bridges Auditorium, Pomona College, Pomona, California (1st-2nd, 5th, 7th works), Dec. 18, 1994 (3rd-4th works) and October 1, 1995 (6th work) at Todd A O Studios, Studio City, California. Compact disc. Program notes in English by John Marcellus ([8] pages : ports.) inserted in container.
Contents:
Seven variations on a theme from Mozart's Magic flute / Ludwig van Beethoven (9:44) -- Fantasy / Paul Creston (11:59) -- Betwixt & between / Kim Scharnberg (6:42) -- Three miniatures / Anthony Plog (6:26) -- Piece in the form of a habanera / Maurice Ravel (3:09) -- Four preludes / Michael Convertino (15:34) -- Three fantasy pieces / Robert Schumann (10:36).
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