Introduction / Bridgitte Barclay and Christy Tidwell -- Part One: Performing Humanity, Animality, and Gender. Chapter One: Female Beasties: Camp Resistance in 1950s Wom-Animal Creature Features / Bridgitte Barclay -- Chapter Two: "Either you're mine or you're not mine": Controlling Gender, Nature, and Technology in Her and Ex Machina / Christy Tidwell -- Chapter Three: Octavia Butler and the Language of the Flesh: Re-Writing Nature in Wild Seed / Amelia Z. Greene -- Part Two: Gendering the Natural World. Chapter Four: Tendrils, Tentacles, and Flower Power: Speciesism in Womaneater (1958) and The Gardener (1974) / Fernando Gabriel Pagnoni Berns and Juan JuveĢ -- Chapter Five: "So Very Natural an Occurrence": Engendering Nature's Antagonism in Mary Shelley's The Last Man / Steve Asselin -- Part Three: Contemporary Queering. Chapter Six: Engineered Nature, (En)gendered Nature in Kim Stanley Robinson's 2312 / Tyler Harper -- Chapter Seven: Ecologies of Sound: Queer Intimacy, Trans-Corporeality, and Reproduction in Upstream Color / Stina Attebery -- Part Four: "We Don't Need Another Hero" -- Chapter Eight: Nature Boys & Bears in Pants: Ecoqueer Hybrid Heroes in Atomic Age Comics / Jill E. Anderson -- Chapter Nine: Saving Eden: Whiteness, Masculinity, and Environmental Nostalgia in Soylent Green and WALL-E / Michelle Yates -- Chapter Ten: Mad Max: Beyond Petroleum? / Carter Soles.
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