Includes bibliographical references (pages 277-297) and index.
Contents:
Introduction -- Meaning -- Affordances -- Body -- Flesh -- Affectivity -- Verticality.
Summary:
A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities.
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