Includes bibliographic references (pages 291-293) and index.
Contents:
Situating Hong Kong and Bollywood Cinemas in the Global / Satish Kolluri and Joseph Tse-Hei Lee -- The Trajectory of Bollywood Lyrics / Ali Mir and Raza Mir -- Transformation of Hong Kong Gangster Movies Before and After CEPA / Yau Shuk-Ting, Kinnia -- Despair and Hope: Political Cinema in Hong Kong / Joseph Tse-Hei Lee / Chinaman, Not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India / S.V. Srinivas -- Cinematic Contradictions of Greater China / Siu-Keung Cheung -- What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times Through Taare Zameen Par and I Not Stupid / Satish Kolluri -- Negotiating Cold War and Postcolonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema / Jing Jing Chang -- Slum Extravaganza!: Cultural and Geopolitical Representation of Dharavi in Celluloid India / Sony Jalarajan Raj and Rohini Sreekumar -- Life Without Principle: Financial Irregularities in Hong Kong / Siu-Keung Cheung -- Discontents of Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema / Surajit Chakravarty -- Naqal and the Aesthetics of the Copy / Anjali Roy -- Undercranking and Step-Printing in Wong Kar-Wai's Filmography / Patrick Sullivan -- Mirroring Alterity: The Imaginary China and the Comedic Self in Chandni Chowk to China / Michael A Mikita -- Hong Kong, Films, and the Building of China's Soft Power: The Cross-Promotion of Chinese Films on Globally Oriented State Television / Lauren Gorfinkel and Xuezhong Su.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.