Based on the author's thesis (doctoral)--University of Chicago, 2008. Includes bibliographical references (pages 145-168) and index.
Contents:
Introduction -- Timeliness and contemporary cinema -- Biding our time : rethinking the familiar in Steven Soderbergh's The limey -- Back and forth : reading reverse chronology in François Ozon's 5x2 -- Enduring time : temporal duration in Tsai Ming-liang's What time is it there? -- Deep time : methods of montage in Terrence Malick's The tree of life -- Conclusion.
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