The Locator -- [(subject = "Theater and society--Great Britain")]

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Author:
Gurnis, Musa, author. http://id.loc.gov/authorities/names/no2017141105
Title:
Mixed faith and shared feeling : theater in post-reformation London / Musa Gurnis.
Publisher:
University of Pennsylvania Press,
Copyright Date:
2018
Description:
257 pages : illustrations ; 24 cm
Subject:
Theater--Great Britain--History--History--16th century.
Theater--Great Britain--History--History--17th century.
Theater audiences--Great Britain--History--History--16th century.
Theater audiences--Great Britain--History--History--17th century.
Theater and society--Great Britain--History--16th century.
Theater and society--Great Britain--History--17th century.
English drama--Early modern and Elizabethan, 1500-1600--History and criticism.
English drama--17th century--History and criticism.
English drama.
English drama--Early modern and Elizabethan.
Theater and society.
Theater--Religious aspects.
Great Britain.
1500-1699
Criticism, interpretation, etc.
History.
Notes:
"Published in cooperation with Folger Shakespeare Library." Includes bibliographical references (pages 161-244) and index.
Contents:
Introduction -- Mixed faith -- Shared feeling -- In mixed company : collaboration in commercial theater -- Making a public through A Game at Chess -- Measure for Measure : theatrical cues and confessional codes -- Epilogue : Pity in the Public Sphere.
Summary:
"Mixed Faith and Shared Feeling explores the mutually generative relationship between post-Reformation religious life and London's commercial theaters. It explores the dynamic exchange between the imaginatively transformative capacities of shared theatrical experience, with the particular ideological baggage that individual playgoers bring into the theater. While early modern English drama was shaped by the polyvocal, confessional scene in which it was embedded, Musa Gurnis contends that theater does not simply reflect culture but shapes it. According to Gurnis, shared theatrical experience allowed mixed-faith audiences to vicariously occupy alternative emotional and cognitive perspectives across the confessional spectrum. In looking at individual plays, such as Thomas Middleton's A Game of Chess and Shakespeare's Measure for Measure, Gurnis shows how theatrical process can restructure playgoers' experiences of confessional material and interrupt dominant habits of religious thought. She refutes any assumption that audiences consisted of conforming Church of England Protestants by tracking the complex and changing religious lives of seventy known playgoers. Arguing against work that seeks to draw fixed lines of religious affiliation around individual playwrights or companies, she highlights the common practice of cross-confessional collaboration among playhouse colleagues. Mixed Faith and Shared Feeling demonstrates how post-Reformation representational practices actively reshaped the ways ideologically diverse Londoners accessed the mixture of religious life across the spectrum of beliefs."--Dust jacket.
ISBN:
0812250257
9780812250251
OCLC:
(OCoLC)1010542474
LCCN:
2017052154
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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