Industrial practice. Edward Buscombe: Notes on Columbia Film Corporation 1926-41 -- Thomas Schatz: Warner Bros.: power plays and prestige -- Danae Clark: Labor and film narrative -- Technology. Charles Barr: Cinemascope: before and after -- Barry Salt: Film style and technology in the thirties -- Kristen Whissel: Tales of upward mobility -- Reception. Anna Everett: The souls of black folk in the age of mechanical reproduction: black newspapers criticism and the early cinema, 1909-1916 -- Kathryn H. Fuller-Seeley: Dish night at the movies: exhibitor promotions and female audiences during the Great Depression -- Eric Smoodin: "This business of America": fan mail, film reception and meet John Doe -- Films and filmmakers. Molly Haskell: Howard Hawks -- Judith Mayne: Female authorship revisited -- Robin Wood: Papering the cracks: fantasy and ideology in the Reagan era -- Censorship and regulation. Lea Jacobs: The censorship of blonde Venus: textual analysis and historical method -- Thomas Doherty: Classical Hollywood according to Joseph Breen -- Jon Lewis: We do not ask you to condone this: how the blacklist saved Hollywood -- Stardom. Daisuke Miyao: A star is born: the transnational success of the cheat and its race and gender politics -- Miriam Hansen: Pleasure, ambivalence, identification: Valentino and male spectatorship -- Jackie Stacey: Hollywood memories.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.