Playing God: film stars as documentary narrators / Annabelle Honess Roe -- Auditing the call centre voice: accented speech and listening in Sonali Gulati's Nalini by day, Nancy by night (2005) / Pooja Rangan -- The fundamental lie: lip sync, dubbing, ventriloquism and the othering of voice in documentary media / Patrik Sjöberg -- Hearing voices in singer-songwriter music documentaries / Maria Pramaggiore -- "The voice" and sound in indian documentary film: listen to Surabhi Sharma's Bidesia in Bambai (2013) / Deborah Matzner -- Hum, buzz, gurgle: ecological soundscapes in poetic ecodocs / Shilyh Warren -- Literally documenting her voice: Vallie Export's vocal-visual experiments with screen media / Helen Hughes -- The voice of mockumentary / Sarah Kessler -- Fabulous thinking, chimeric voice: Kathy High's Lily does Derrida: a dog's video (2010) / Brenda Hollweg -- Animating voices, onscreen and off, in Kathleen Shannon's working mothers (1974-5) / Jean Walton -- The voice in documentary sound design: a digital revolution / Chris Cagle -- Kazuhiro Soda's migrant voices / Luke Robinson -- Vocal hierarchy in documentary / James Nicholson -- Crime documentary's confessing voice / Kristen Fuhs -- Sounds of disillusionment and discord: when Pasolini and Sontag visited Israel / Ohad Landesman -- Beyond words: speech, ethical time and the politics of the local in Nicholas Philibert's Retour en Normandie (2007) / Rhiannon Harries.
Summary:
"Examines the way that (human and other) voices in documentary not only serve rhetorical and political purposes, but also create meaning by engaging the audience through affective and aesthetic registers"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.