Includes bibliographical references (pages 332-339) and index.
Contents:
Introduction: the seeing of painting -- A one-time thing -- Not exactly Expressionist -- Projecting a different experience -- Crazy paintings -- A picture of a line -- Getting the paint across -- The way it acts -- A question of what.
Summary:
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting -- abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.