The Locator -- [(subject = "Tijdschriften")]

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Author:
Magazine (M.I.T. Press)
Title:
The magazine / edited by Gwen Allen.
Publisher:
Whitechapel Gallery ;
Copyright Date:
2016
Description:
237 pages ; 21 cm.
Subject:
Art publishing--History--20th century.
Art publishing--History--21st century.
Art--History--History--20th century.
Art--History--History--21st century.
Art criticism--History--20th century.
Conceptual art.
Art--Histoire--Histoire--20e siècle.
Art--Histoire--Histoire--21e siècle.
Art--Histoire--Histoire--20e siècle.
Art--Histoire--Histoire--21e siècle.
Critique d'art--Histoire--20e siècle.
Art conceptuel.
Media Studies.
Art criticism.
Art--Periodicals.
Art publishing.
Conceptual art.
Kunst
Kunstkritik
Kunstzeitschrift
Zeitschrift
Uitgeven
Culturele tijdschriften
Kunstkritiek
Art--Anthologies.--1945- ...--Anthologies.
Art--Anthologies.--1945- ...--Anthologies.
Critique d'art--1945- ...--Anthologies.
Media Studies.
1900-2099
Art publishing / History / 20th century
Art publishing / History / 21st century
Art / Periodicals / History / 20th century
Art / Periodicals / History / 21st century
Art criticism / History / 20th century
Conceptual art
Periodicals.
History.
Periodicals.
Other Authors:
Allen, Gwen, 1971- editor.
Notes:
Includes bibliographical references and index.
Contents:
Magazine statements, 1798-2013. The structural transformation of the public sphere, 1962 / Raqs Media Collective -- Statement for open public hearing : Art Workers' Coalition, 1969 / Lee Lozano -- Hidden trails in art, 1969 / Robert Smithson -- Ten years before the Artforum masthead, 1977 / Jack Burnham -- Art criticism in the age of incommensu-rate values, 1993 / Thomas Crow -- October 1-100 : some particulars, 2002 / Roger Conover -- A nationwide forum and model : art magazines and symposia, 2003 / Martina Köppel-Yang -- Writing about apparently non-existent art, 2013 / Valentina Parisi -- Editorial, documenta 12 magazines project, 2007 / Georg Schöllhammer -- Documenta 12 magazines project : what is to be done? (education), 2007 / Peter Osborne -- The limits of the limits, 2014 / ArtReview -- In conversation with Mia Jankowicz, 2013 / Lina Attalah -- Alternative medium, alternative space On Semina : in conversation with Eduardo Lipschutz-Villa, 1992 / Michael McClure -- Poem, March 1966 / Dan Graham -- Letter to Brian O'Doherty, 1967 / Roland Barthes -- Towards an intermedia magazine, 1968 / Jud Yalkut -- On Avalanche : in conversation with Gwen Allen, 2001 / Willoughby Sharp -- Documentation in conceptual art, 1970 / Gregory Battcock -- Aspen : denial of second class mail privileges, 1971 / United States Postal Service -- Notes on the Mythic Being, I-III, 1974-76 / Adrian Piper -- Statement, Art-Rite, 1976 / Lucy R. Lippard -- Alternative space : artists' periodicals, 1977 / Howardena Pindell -- Alternative periodicals, 1978 / Edit DeAk and Walter Robinson -- Art magazines and magazine art, 1980 / Clive Phillpot -- Russian samizdat art, 1986 / Rimma Gerlovina and Valery Gerlovin -- Figuring Lip : feminisms unbound, 1976-84, 2013 / Vivian Ziherl -- Will to representation : Eau de Cologne, 1985-93, 2006 Johanna Burton -- Brushes with the industry. The fashion system, 1967 / Roland Barthes -- Are you Rea, 1968 / Robert Heinecken -- How magazines reacted to some art penetrations, 1967-84, and onward, 2015 / Eduardo Costa -- John Knight : Journals series, 2001 / Anne Rorimer -- Pictures, 1977 / Douglas Crimp -- Martha Rosler reads Vogue : wishing, dreaming, winning, spending, 1982 / Martha Rosler -- The graphic ordering of desire : modernization of a middle-class women's magazine, 1919-39, 1985 / Sally Stein -- Discordant views, 1985 / Silvia Kolbowski -- Word up!, 1993 / Barbara Kruger -- In conversation with Monika Szewczyk, 2010 / Josephine Meckseper -- Page by page : fashion and photography in the magazine, 2010 / Antje Krause-Wahl -- Spectacle culture and the mediated image, 2011 / Nancy Spector -- Zines and DIY culture. Editorial, Whole earth catalog, 1968 / Stewart Brand -- Mail art : a bridge to freedom, 2012-- Clemente Padín -- How to make a magazine, 1974 / Laurel Galana -- Editorial page, Punk, 1976 / John Holmstrom -- Editorial, Tripping corpse, 1981 / Raymond Pettibon -- Typo-anarchy, 1998 / Teal Triggs -- In conversation with Neville Wakefield, 2010 / Raymond Pettibon -- Editorial statement, Riot Grrrl, 1991 / Molly Neuman, Allison Wolfe, et al. -- Riot Grrrl is ..., c. 1991 / Unsigned -- The permission factory : a few notes, 2013 / Scott Treleaven -- On self-publishing practices, 2012 / Paul Gangloff, Stephan Dillemuth, Alexi Kukuljevic, Hans-Christian Dany -- In conversation with Hanin Tarek, 2011 / Sanaa Seif -- Expanding fields. Understanding magascenes, 1970 / Marshall McLuhan -- On Memoria de la postguerra, 1995 / Luis Camnitzer -- Dispersion, 2002- / Seth Price -- In conversation with Hans Ulrich Obrist, 2002 / Rirkrit Tiravanija -- Ever. Ever. Ever. In conversation with Hans Ulrich Obrist, 2006 / Anton Vidokle Fragments of chaos : Ei Arakawa's on-site magazines, 2008 / Reiko Tomii -- Poem, October 2009 (after Dan Graham), 2010 / Caolan Madden and Paul Hughes -- Prepositions and publications : on Dexter Sinister, 2011 / Saul Anton -- UbuWeb at fifteen years, 2011 / Kenneth Goldsmith -- The binder and the server, 2011 / Triple Canopy -- In conversation with Chloé Nicolet-dit-Félix and Gulru Vardar, 2013 / Raqs Media Collective -- An editorial archive. Magazine statements, 1798-2013.
Summary:
"The multiple platforms of the digital era have not diminished the role of the magazine for artists as an alternative medium and experimental space. Whether printed on paper or electronically generated, the artist's magazine continues to be a place where new ideas and forms can be imagined as well as a significant site of artistic production. Intrinsically collaborative, including readers' active engagement, the magazine is an inherently open form that generates constantly evolving relationships. It was integral to the emergence of art criticism in the Enlightenment period and to the development of artistic dialogues around notions of culture, politics, and the public from the modern era avant-gardes to the present. This collection contextualizes the current condition and potential of the artist's magazine, surveying the art worlds it has created and then superseded; the commercial media forms it has critically appropriated, intervened in, or subverted; the alternative DIY cultures it has brought into being; and the expanded fields of cultural production, exchange, and distribution it continues to engender. In addition to surveying case studies of transformational magazines from the early 1960s onwards, The Magazine includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town, and Delhi."--Publisher's description.
Series:
Whitechapel: documents of contemporary art
ISBN:
085488243X
9780854882434
0262528665
9780262528665
OCLC:
(OCoLC)935674857
LCCN:
2015036950
Locations:
UNUX074 -- University of Northern Iowa - Rod Library (Cedar Falls)

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This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.