"Through a study of literary representations of catastrophic figures, this book examines how nature and history intertwined during the violent aftermath of the Spanish American Wars of Independence"-- Provided by publisher. Includes bibliographical references and index.
Contents:
Introduction: Radical Landscapes -- 2. Earthquakes: The Shaky Grounds of Latin American History -- Aftershock: Cesar Aira's Rugendas: Photographing the Earthquake -- 3. Volcanoes: Emergencies of an Archaeological Modernity -- Aftershock: Malcolm Lowry's Under the Volcano: On Clouds, Telegraphs and Volcanoes -- 4. Epidemics: Virality, Immunity and the Outbreak of Modern Sovereignty -- Aftershock: Reinaldo Arenas' El color del verano: AIDS and the End(s) of the Immunological State -- 5. Conclusion: One Final Gust: Macondo and the Aftermaths of Modernity.
Summary:
Through a study of philosophical, literary and artistic representations of three catastrophic figures - earthquakes, volcanoes and epidemics - this book provides a critical model through which to refute these state-sponsored "happy narratives," proposing instead that the emergence of the modern state in Latin America was indeed a violent event whose aftershocks are still felt today.Engaging a variety of sources and protagonists, from Simón Bolívar's manifestoes to Cesar Aira's use of landscape in his novels, from the revolutionary role mosquitoes had within the Haitian Revolution to the role AIDS played in the writing of Reinaldo Arenas' posthumous novel, Carlos Fonseca offers an original retelling of this foundational moment, recounting how history has become a site where the modern division between nature and culture collapses -- Publisher description.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.