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03888aam a2200661 i 4500 001 E422924072D811EDA0B05B7C49ECA4DB 003 SILO 005 20221203010154 007 tu 008 170906t20172017oncac b 001 0 eng 010 $a 2017561178 020 $a 1487520484 020 $a 9781487520489 020 $a 1487500688 020 $a 9781487500689 035 $a (OCoLC)959805364 040 $a NLC $b eng $e rda $c DLC $d OCLCO $d OCLCQ $d CUY $d NLC $d SNN $d WLU $d IOJ $d TFW $d YDX $d WYU $d OCLCQ $d OCLCO $d NLC $d AUD $d EUM $d OCLCA $d GWDNB $d SILO 042 $a lccopycat 043 $a e-gx--- 050 00 $a ML3917.G3 $b A67 2017 055 0 $a ML3917 G3 $b A648 2017 055 02 $a ML3917* 082 04 $a 780.943 $2 23 084 $a cci1icc $2 lacc 084 $a coll13 $2 lacc 084 $a 943 $a 943 $q DE-101 $2 sdnb 100 1 $a Applegate, Celia, $e author. 245 14 $a The necessity of music : $b variations on a German theme / $c Celia Applegate. 264 1 $a Toronto ; $b University of Toronto Press, $c [2017] 300 $a xii, 402 pages : $b illustrations, portraits ; $c 23 cm 490 1 $a German and European studies ; $v 26 504 $a Includes bibliographical references (pages 315-382) and index. 505 0 $a Part I. Places -- How German is it? -- Music in place -- Musical itinerancy in a world of nations -- Music at the fairs -- Part II. People -- Mendelssohn on the road -- A.B. Marx's cosmopolitan nationalism -- Schumann's German nation -- The musical worlds of Brahm's Hamburg -- Part III. Public and private -- What difference does a nation make? -- Men with trombones -- Women's Wagner -- Hausmusik in the Third Reich -- To be or not to be Wagnerian in Leni Riefenstahl's films -- Saving music. 520 $a "In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries. Rather than focus on familiar stories of composers and their work Applegate illuminates the myriad ways in which music is integral to German social life. Musical life reflected the polycentric nature of German social and political life, even while it provided many opportunities to experience what was common among Germans. Musical activities also allowed Germans, whether professional musicians, dedicated amateurs, or simply listeners, to participate in European culture. Applegate's original and fascinating analysis of Mendelssohn, Schumann, Brahms, Wagner, and military music enables the reader to understand music through the experiences of listeners, performers, and institutions. The necessity of music demonstrates that playing, experiencing, and interpreting music was a powerful factor that shaped German collective life."-- $c Provided by publishers. 650 0 $a Music $x Social aspects $z Germany. 650 0 $a Music $z Germany $x History and criticism. 650 6 $a Musique $x Aspect social $z Allemagne 650 6 $a Musique $z Allemagne $x Histoire et critique 650 7 $a Music. $2 fast $0 (OCoLC)fst01030269 650 7 $a Music $x Social aspects. $2 fast $0 (OCoLC)fst01030444 651 7 $a Germany. $2 fast $0 (OCoLC)fst01210272 650 7 $a Gesellschaft $2 gnd 650 7 $a Musik $2 gnd 650 7 $a Nationalbewusstsein $2 gnd 650 7 $a Nationalismus $2 gnd 651 7 $a Deutschland. $2 gnd 653 $a (fast)Music. 653 $a (fast)Music--Social aspects. 653 $a (fast)Germany. 653 $a (fast)Criticism, interpretation, etc. 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 830 0 $a German and European studies ; $v 26. 856 41 $3 Table of contents $u http://d-nb.info/1131717228/04 856 42 $m B:DE-101 $q application/pdf $u https://d-nb.info/1131717228/04 $3 Inhaltsverzeichnis 941 $a 1 952 $l PQAX094 $d 20231214053522.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E422924072D811EDA0B05B7C49ECA4DB 994 $a Z0 $b IOWInitiate Another SILO Locator Search