433 records matched your query
04072aam a2200505Ii 4500 001 72AFC66EDDAE11EDB031D5162DECA4DB 003 SILO 005 20230418010100 008 211210t20222022enkac bc 000 0 eng d 020 $a 9781781301197 020 $a 1781301190 035 $a (OCoLC)1288136988 040 $a YDX $b eng $e rda $c YDX $d ERASA $d AVA $d OCLCO $d YDX $d OCLCO $d OCLCF $d SILO 050 4 $a N6797.P59 $b A4 2022 082 04 $a 709.41 $2 23/eng/20220422 100 1 $a Pollard, Ingrid, $e artist. 245 10 $a Ingrid Pollard : $b carbon slowly turning / $c edited by Fay Blanchard and Anthony Spira. Essays by Anna Arabindan-Kesson, Cheryl Finley, Paul Gilroy, Mason Leaver-Yap and Gilane Tawadross. 246 30 $a Carbon slowly turning. 264 1 $a London] : $b Philip Wilson Publishers, $c 2022. 300 $a 191 pages : $b illustrations (some colour), portraits ; $c 25 cm 500 $a Published to accompany an exhibition held at MK Gallery, Milton Keynes, 12 March - 29 May, 2022 and Turner Contemporary, Margate, 9 July - 25 September, 2022. 504 $a Includes bibliographical references. 520 8 $a Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'. For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure. 600 10 $a Pollard, Ingrid $v Exhibitions. 650 0 $a Art, British $y 20th century $x Exhibitions. 650 6 $a Art britannique $0 (CaQQLa)201-0385567 $y 20e siecle $0 (CaQQLa)201-0406903 $x Expositions. $0 (CaQQLa)201-0385567 600 17 $a Pollard, Ingrid. $2 fast $0 (OCoLC)fst00506483 650 7 $a Art, British. $2 fast $0 (OCoLC)fst00816044 648 7 $a 1900-1999 $2 fast 655 7 $a exhibition catalogs. $2 aat $0 (CStmoGRI)aatgf300026096 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 655 7 $a Exhibition catalogs. $2 lcgft 655 7 $a Catalogues d'exposition. $2 rvmgf $0 (CaQQLa)RVMGF-000001063 700 1 $a Blanchard, Fay, $e editor. 700 1 $a Spira, Anthony, $e editor. 700 1 $a Arabindan-Kesson, Anna, $e writer of essay. 700 1 $a Finley, Cheryl, $e writer of essay. 700 1 $a Gilroy, Paul, $e writer of essay. 700 1 $a Leaver-Yap, Mason, $e writer of essay. 700 1 $a Tawadross, Gilane, $e writer of essay. 710 2 $a Milton Keynes Gallery, $e host institution. 710 2 $a Turner Contemporary (Arts organization : Margate, England), $e host institution. 941 $a 1 952 $l OVUX522 $d 20231117031012.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=72AFC66EDDAE11EDB031D5162DECA4DBInitiate Another SILO Locator Search