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03731aam a2200409 i 4500 001 12C11944688611E8A317244297128E48 003 SILO 005 20180605010123 008 171120t20182018miua b 000 0 eng c 020 $a 047203720X 020 $a 9780472037209 035 $a (OCoLC)1012347509 040 $a YDX $b eng $e rda $c YDX $d BDX $d EYM $d OCLCO $d OCLCF $d POETS $d VA@ $d OBE $d SILO 042 $a pcc 050 4 $a PS3603 A77425 A6 2018 100 1 $a Carr, Julie, $d 1966- $e author. 240 10 $a Essays. $k Selections 245 10 $a Someone shot my book / $c Julie Carr. 264 1 $a Ann Arbor : $b University of Michigan Press, $c [2018] 300 $a 182 pages : $b illustrations ; $c 21 cm. 490 1 $a Poets on poetry 504 $a Includes bibliographical references. 505 00 $t Interview with Sofi Thanhauser for Entropy magazine, June 7, 2016. $t The witch's house : a poetics -- $t By beauty and by fear : on narrative time -- $t Spirit ditties of no tone : on listening -- $t The poet scholar -- $t I believe that we will win -- $t Another note on violence -- $t In defense of my experiences, or, the body and the avant-garde -- $t No video : on Anne Carson -- $t Muse X : on Lyn Hejinian's Oxota : a short Russian novel -- $t Latin for female wanderer : on Lisa Robertson -- $t On saying no : Valentine and Dickinson break the glass -- $t Women and war, love, labor : the legacy of Lorine Niedecker -- $t Ralph Lemon, Fred Moten, and the unspeakable : an improvisatory line -- $t On property and monstrosity -- $t Interview with Rob Mclennan for Touch the donkey supplement #7 : Seven questions for Julie Carr, June 2014 -- $t Interview with Sofi Thanhauser for Entropy magazine, June 7, 2016. 520 $a Approaching the practices of reading and writing from a feminist perspective, Julie Carr asks vital ethical questions about the role of poetry--and of art in general--in a violent culture. She addresses issues such as the art of listening, the body and the avant-garde, gun violence, police brutality, reading and protest, and feminist responses to war in essays that are lucid, inventive, and informed by a life lived with poetry. Essays on poets Lorine Niedecker, Jean Valentine, Anne Carson, Lyn Hejinian, and Lisa Robertson detail some of the political, emotional, and spiritual work of these forerunners. A former dancer, Carr also takes up question of text, dance, performance, and race in an essay on the work of choreographer, writer, and visual artist Ralph Lemon and poet Fred Moten. Carr's essays push past familiar boundaries between the personal/confessional and experimental/conceptual strains in American poetry. Pressing philosophical inquiries into the nature of gender, motherhood, fear, the body, and violence up against readings of twentieth- and twenty-first-century poets, she asks us to consider the political and affective work of poetry in a range of contexts. Carr reports on her own practices, examining her concerns for research and narrative against her investment in lyric, as well as her history as a dancer and her work as curator and publisher. Carr's breadth of inquiry moves well beyond the page, yet remains grounded in languages possibilities. 650 0 $a Poetry $x History and criticism. 650 0 $a Poetics. 650 0 $a Poetry $x Authorship. 650 0 $a Feminist literary criticism. 650 0 $a American poetry $x History and criticism. 650 0 $a Women poets, American $y 20th century. 650 0 $a Women poets, American $y 21st century. 650 0 $a Women poets, Canadian $y 20th century. 830 0 $a Poets on poetry. 941 $a 1 952 $l USUX851 $d 20190502022759.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=12C11944688611E8A317244297128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search